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This exhibition features more than 50 pieces from this significant collection, including paintings, prints, and drawings by known and anonymous European artists working in the late eighteenth through mid-twentieth century. Unlike most Kinsey Institute exhibitions that display artworks acquired from a wide variety of sources, this show provides visitors with the opportunity to view a unique collection that reflects the connoisseurship of a single individual. It included photographs, paintings, sculpture, and mixed media explorations of topics of sexuality, gender identity, romantic relationships, and sexual politics.

The Shape of Us explored diversity and the human body through a display of artistic representations from various cultures and time periods. This exhibition featured works from the collections of The Kinsey Institute by modern artists exploring a wide range of media, including photography, painting, printmaking, and ceramics.

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The Kinsey Institute Juried Art Show featured more than artworks in a wide range of media created by contemporary artists from across the US and the world. Eros in Asia was the first Kinsey Institute exhibition to highlight its extensive collection of erotic artwork from across Asian. It featured paintings, prints, illustrated books, sculptures, and art objects from China, India, Iran, Japan, Turkey, Mongolia, and Myanmar formerly Burma. Sex and Presidential Politics offered a glimpse of presidential politics viewed by adult and underground media sources.

The exhibit featured magazines, tabloids, newspapers and newsletters from the later half of the 20th century that revealed a different perspective on the elections. Infinitely variable was sourced from a body of personal work by Ascherman previously known only to a small group of friends and collectors. Guest curator: Claude Cookman, historian of photography and a professor in the School of Journalism at Indiana University in Bloomington. The Kinsey Institute Juried Art Show featured photographs, sculptures, paintings, textiles, and mixed media pieces submitted by artists from across the United States, Canada, and England.

The nearly eighty contemporary artworks explored a range of topics including eroticism, body image, motherhood, gender, and the human figure. Women of Pleasure examined the depiction of women in 18th and 19th century European erotic art and literature via paintings, engravings, etchings, photographs, artifacts, books, and other materials from the Kinsey Institute's collections.

All artworks were made specifically for the show and included actual images from websites such as Manhunt and Craigslist, where gay men can post profiles and look for potential partners. Kinsey Confidential was inspired by the Kinsey Institute's syndicated newspaper column titled of the same name. The exhibit looked at commonly asked questions about sexual health and behavior with questions are answered and illustrated using artworks, photographs, objects, and print materials from the Kinsey Institute's extensive art and library collections.

The Kinsey Institute Juried Art Show featured 80 works of exciting contemporary art in a wide range of media: photographs, collages, paintings, prints, drawings, sculptures and textile art. Queer Projections celebrated the contributions of gay, lesbian, bisexual, and transgender individuals to the film industry, both in front of and behind the camera.

The exhibition also explores the representation of GLBT characters in Hollywood and independent films. Assembled by guest curator Dr.

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Brian J. Woodman, the exhibit features a variety of film posters, photographs, movie stills, and other cinema-related ephemera.

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Expressive Bodies surveyed the use of photography by contemporary artists to express ideas about sexuality and gender or to explore the visual impact of the human figure. Sex Objects exhibited sculpture and other three-dimensional items from the Kinsey Institute collection. Kinsey Institute Juried Erotic Art Show featured photography, sculpture, painting, textiles, and wearable art submitted by artists from across the United States. Sex in the Cinema used posters, press kits, photographs, and other materials to examine the use of sex as a marketing tool by Hollywood studios and independent film companies.

Selected posters represented a number of genres, from the exploitation pictures of the s through the first mainstream X-rated films of the s. Passionate Creatures featured paintings, prints, drawings, sculptures, photographs, and artifacts depicting real and mythological creatures.

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Exhibited objects and artworks spanned more than two thousand years of cultural history. Identity—Sexuality—Gender was a loaned exhibition that presented a collection of recent work by an international group of artists, including Amy Cutler, Peregrine Honig, Robert Horvath, Nikki S. Sex Ed looked at the dissemination of information about sex, reproduction, and health over the past several centuries. Materials included film posters, fetal development models, novelty condoms, birth control devices from previous eras including an 18th century condom, educational films, fertility statues, Japanese pillow books, and copies of the Kama Sutra, marriage manuals, and other sexual education materials.

Also on display were movie posters, cartoons, and a variety of artifacts and novelty items. Eroticism and Music featured a selection of artwork illustrating the connection between eroticism and music. The exhibit included engravings, lithographs, etchings, and photographs from the 19th and 20th centuries. George Balanchine and his Dancers exhibited photographs from the Kinsey Institute's important collection of work by the 20th century American photographer George Platt Lynes.

Images included portraits of George Balanchine, the Russian-born choreographer who co-founded the New York City Ballet, and the dancers with whom he worked. Bring Your Own Body presented the work of transgender artists and archives, from the institutional and sexological to the personal and liminal. Taking its title from an unpublished manuscript by intersex pioneer Lynn Harris, the exhibit historicized the sexological and cultural imaginary of transgender through a curatorial exploration of the Kinsey Archives and the burgeoning movements for transgender expression from the turn of the 20th century.

The exhibit was displayed as a cabinet of curiosities similar to the traditional collections amassed by individuals in the sixteenth century and included a collection of animal penis bones and a Relax-A-Cizor device from the Kinsey Institute Collections. The Institute of Sexology exhibition featured more than 50 items from the Kinsey Institute art, artifacts, and archival collections showcasing the pioneers of the study of sex.

Undercover presented a selection of photographs, prints, paintings, and sculptures from the Kinsey Institute that explored the stories we tell one another about sex and stories that seek to obfuscate, glorify, mystify, boast, or jest about sex.

Twitter Instagram Facebook YouTube. Home Collections Past exhibitions Past exhibitions Selected items from the Kinsey Institute Special Collections have been exhibited to the public for more than 25 years at a variety of galleries and museums around the world.

View online exhibits. On-site exhibitions Hold That Pose: Erotic Imagery in 19th Century Photography January 23—July 31, Kinsey Institute Gallery Once photography was invented in the s, it quickly became a popular medium for depictions of the nude figure, as well as erotic imagery. Secret Impressions: The Mass Production of Erotica Prior to the Camera January 23—July 31, Kinsey Institute Gallery Secret Impressions presented a selection of lithographs, engravings, etchings and woodblock prints from the midth century and earlier.

Undress Me: A Peek at 19th and 20th Century Undergarments September 19—December 23, Kinsey Institute Gallery Undress Me presented a selection of vintage photographs of women in lingerie from the Kinsey Institute art collection paired with corsets, slips, brassieres, and other articles of clothing on loan from the Sage Collection at Indiana University. The Taste of Seduction September 19—December 23, Kinsey Institute Gallery The Taste of Seduction examined the rich tradition of linking the enjoyment of food and drink with sex and arousal, through works of art and cultural artifacts in the Kinsey Institute collections.

Creative Minds April 11—September 12, Kinsey Institute Gallery Creative Minds featured work produced by artists whose primary professions were as sex researchers, physicians, or scientists. Flora January 24—April 4, Kinsey Institute Gallery Flora presented a selection of photographs, prints, paintings, sculptures, and books from the permanent collection that featured plant or landscape imagery.

Casual Encounters April 12—August 30, Kinsey Institute Gallery Casual Encounters looked at intimate yet anonymous sexual interactions, as depicted by European and American artists from the 18th century to the present day. Gender Expressions September 28—December 20, Kinsey Institute Gallery Gender Expressions used contemporary photographs, fine art prints, and other materials to illustrate the various ways people express their gender identity or challenge societal expectations about gender roles.

Ephemeral Ink: Selections of Tattoo Art from The Kinsey Institute Collections July 9—September 21, Kinsey Institute Gallery Ephemeral Ink featured depictions of tattoos and tattooing that provide a glimpse into the evolution of tattooing style and technique over the course of a hundred years. Guest curators: Herbert Ascherman Jr. Contemporary Art at The Kinsey Institute July 13—September 18, Kinsey Institute Gallery This exhibition featured works from the collections of The Kinsey Institute by modern artists exploring a wide range of media, including photography, painting, printmaking, and ceramics.

Pre-Revolutionary Queer: Gay Art and Culture Before Stonewall October 24, —February 14, Kinsey Institute Gallery brought together a diverse collection of artwork, photographs, newsletters, magazines, and other materials documenting the existence of a vibrant but largely underground gay culture prior to the start of the modern gay rights movement in the late s. Sex and Presidential Politics September 26, - January 23, Kinsey Institute Gallery Sex and Presidential Politics offered a glimpse of presidential politics viewed by adult and underground media sources. August 15—October 17, Kinsey Institute Gallery Infinitely variable was sourced from a body of personal work by Ascherman previously known only to a small group of friends and collectors.

They were due to deliver the painting that evening to the offices of the Glasgow lawyers who had advised them on how to proceed, but a heavy rainstorm forced them to abandon their journey just outside Dumfries, 80 miles short of their destination. Tragic: The 9th Duke of Buccleuch, who owned the home where the painting hung, died one month before it was discovered.

And so they stayed overnight at that country hotel, with the painting perched on a dresser.

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  5. But far from receiving their invitation to a grand re-hanging ceremony at Drumlanrig Castle as they had been promised, they were in for a shock. Within minutes, the room was full of policemen.


    Graham and Doyle were handcuffed and taken into custody. They soon discovered why. Thus he laid not only himself but Graham and Doyle open to charges of extortion. Investigation: Robbie and John were both arrested by officers after the exchanged and charged with extortion.